Emily Brandt
Three poems
Nothing here today that doesn’t exist yesterday.
Noise exists
as music or chaos.
Depends where you stand
which changes always. Things
change, like who you are with and
why. He says he learns in part what
it means to be a man. I change where I stand.
Questions he poses I counter. That’s the thing, what it means
to be, that we can look at. What it means. An old thing, and examined.
He says thank you. I say thank you, and believe him because not believing
him is no different in the end. That’s the thing worth talking about now and in the past
and future. In the simultaneity of all things happening, we direct our gaze somewhere, right?
I still live (t)here
I live for a decade close
to the six-unit building
where my antecessors
(bisnonna, bisnonno)
live upon arrival, at the turn
of the 20th century.
Sicilian cafe nearby
looks odd, evidence
of some Italians in what’s now
the 83rd Precinct is once
the 18th Ward of Brooklyn,
is earlier little town
in the woods or heavy woods
depending on your source.
Do my antecessors know
that the 83rd Precinct
grants them whiteness within
one generation? Is that what they seek
when they leave Regalbuto?
The great wooden horse
becomes flesh in the new world.
Where the sky can clear, when clear
Lose language and religion. Again.
Lose memory and medicine
and gain America. Worth millions more
than your grandmother’s ash,
a white-lined highway bought
by selling ethnicity’s dirt roads.
Try via sky via sea
but I can’t refill my mouth
with lost dialect.
Can’t be new. Nothing new.
Surely my ancestors’ antecessors
travel, change
words that always exist
in Persia, in Egypt.
This quarter-inch of privilege. This skin
sunning on a rooftop near Avola on the southern coast of Sicily
drinking juice of wide green lemons picked in the yard,
salting the water the salt needed in that heat.
Gazing at something new, this rocky busted road.
Not new. The furniture I lay on is Ikea. The sea I swim in:Mediterranean or Ionian. There’s no clear border.
Emily Brandt is the author of the poetry collection Falsehood, as well as three chapbooks. She's a co-founding editor of No, Dear, curator of the LINEAGE reading series at Wendy’s Subway, and an Instructional Coach at a NYC public school. She’s of Sicilian, Polish & Ukrainian descent, and lives in Brooklyn.